Hands shaping a clay vessel
martin-wilbert-li

Where Old Hands
Teach New Stories

A personal journal of traditional handcraft made slowly, at home, in Istanbul.

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Martin Wilbert Li at his worktable
Martin · Est. 2011

About the Maker

I make things slowly,
on purpose.

My name is Martin Wilbert Li, and I have spent the better part of two decades learning to make things with my hands — bookbinding, leatherwork, hand-stitched paper journals, and a quiet obsession with traditional joinery. None of it came quickly. Most of it still doesn't.

I grew up watching my grandmother repair clothes rather than replace them, and my grandfather sharpen a single set of chisels for forty years. That kind of care — unhurried, attentive, built on respect for materials — became the thing I was always chasing, long before I had the vocabulary to name it.

I started documenting my process not because I thought people would care, but because writing about the work helped me understand it. What I discovered is that the struggle is the interesting part: the seam that pulled wrong, the binding that needed to be undone and redone, the afternoon lost to figuring out why a join wouldn't close. Those are the moments worth keeping.

This journal is my attempt to share that honestly — the finished things and the unfinished thinking behind them. I hope you find something useful here, or at the very least, something worth sitting with.

Martin Wilbert Li

Craftsman & Writer · Based in Portland, Oregon

Read the Journal →
The Process

From Earth
to Object

Hand-thrown pottery follows a rhythm older than memory. Here is what that rhythm looks like in the studio.

Gather
01

Gather

Raw stoneware clay is sourced from regional deposits, wedged by hand to remove air pockets and align the grain.

Shape
02

Shape

Centred on the wheel, the clay rises and opens under steady pressure — a dialogue between hand and material.

Refine
03

Refine

Leather-hard walls are trimmed, smoothed and carved. Imperfections become character. Patience is the only tool that matters.

Finish
04

Finish

Fired twice — bisque then glaze — each piece emerges from the kiln as its own thing, never quite what was planned, always more.

Every piece — one pair of hands, start to finish

From the Journal

Recent Writings

View all entries
The Quiet Language of the Loom
Weaving

June 12, 2025

The Quiet Language of the Loom

Every thread carries intention. I've been returning to a simple tabby weave lately — not out of laziness, but out of reverence for the rhythm it demands.

Throwing Off Center: Finding Beauty in Imperfection
Ceramics

May 28, 2025

Throwing Off Center: Finding Beauty in Imperfection

The bowl that wobbled on the wheel became the one I couldn't put down. There's a lesson buried in the clay about control, and about letting go of it.

Stitching by Hand: Why Machines Can't Finish the Story
Leatherwork

May 9, 2025

Stitching by Hand: Why Machines Can't Finish the Story

A saddle-stitched seam, pulled tight with two needles and linen thread, is one of the most durable structures in craft. But durability isn't why I do it by hand.

Five Disciplines

The Crafts That Shape This Work

Each discipline carries its own rhythm and demands its own patience. Here is how Martin approaches each one in a home studio setting.

Ceramics

Wheel-thrown and hand-pinched forms fired in a small electric kiln, embracing imperfection.

Natural Weaving

Slow loomed textiles using undyed wool, linen, and foraged grasses in organic, earthy patterns.

Bookbinding

Coptic and long-stitch bindings sewn by hand, with covers of marbled paper and reclaimed board.

Leatherwork

Vegetable-tanned leather cut and saddle-stitched into functional everyday objects built to last.

Wood Joinery

Mortise-and-tenon and dovetail joints cut entirely by hand — no powered tools, no shortcuts.

Handmade in every sense

Inside the Studio

Where the Work
Actually Happens

A quiet look at the tools, textures, and unfinished moments that make up daily life in the studio.

Woodworking tools on the workbench
Tools of the Trade
Hand-stitching leather
Stitch by Stitch
Work in progress ceramic bowl
Still Becoming
Studio corner with finished works
The Studio Corner
Studio workbench in action
Mid-Morning at the Bench
Walnut wood grain close-up
Reading the Grain
Finished ceramic mugs
Ready for the Shelf
Sanding a wooden spoon by the window
Light and Dust

"Every mark left on the wood is a record of time well spent."

— martin-wilbert-li

Letters from the Studio

From time to time — never more than once or twice a month — I send a quiet note from the workbench. A new journal entry, a technique I've been exploring, or something small and beautiful I noticed while making. No noise, no newsletter tactics. Just honest words from someone who works with their hands.

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martin-wilbert-li

Crafted by Hand, Told with Heart

A personal journal of traditional handmade crafts — celebrating slowness, skill, and the beauty of things made with care.

Get in Touch

MARTIN WILBERT LI
Makaracılar Caddesi No:17
34421 Beyoğlu / İstanbul
Türkiye

© 2026 Martin Wilbert Li — All rights reserved.

Made slowly, with love — Beyoğlu, İstanbul.